Contemporary Documentary in Taiwan: Memory, Identity, Flux
In the following paper I will seek to illustrate how four documentaries made in aveline by modway recent years by young Taiwanese filmmakers, Le Moulin (2015), Wansei Painter - Tetsuomi Tateishi (2016), Letter #69 (2016) and 3 Islands (2015), display a fresh and original approach in the landscape of contemporary non-fiction cinema both on the islan